Donald Weilerstein. Elisabeth Kufferath
Elisabeth Kufferath lives in Hannover, Germany with her family. She is Professor of Violin at the Hochschule for Music, Theater and Media in Hannover. Both her violin and viola were built by the German luthier Stefan-Peter Greiner. 
TetzlaffwilljoinviolinistElisabeth. Kufferath,violistHanna. Weinmeister,andhiscellistsister. TanjaTetzlaffinaprogramof Elisabeth Kufferath lives in Hannover, Germany with her family where she is professor of violin at the Hochschule for Music, Theater, and Media. Both her violin and viola were built by the German luthier Stefan-Peter Greiner. Elisabeth Kufferath is represented in General Management by Tanja Dorn at Dorn Music.
Elisabeth Kufferath is a founding member Elisabeth Kufferath’s repertoire is highlighted by contemporary works. Active as a violinist and violist, she has collaborated with composers Moritz Eggert, Helen Grime, Libby Larsen, Manfred Trojahn, Jörg Widmann and Thorsten Encke. At the Feldkirch Festival, Ms. Kufferath gave the world premiere of Jan.
Elisabeth Kufferath. A member Elisabeth Kufferath’s immense and varied repertoire is highlighted by contemporary works. She gave the world premiere of Peter Eötvös’s „Adventures of the Dominant Seventh Chord“ in the viola version and the German premiere of his violin solo „A Call“.
Tetzlaff will join violinist Read the full biography of Elisabeth Kufferath, including facts, birthday, life story, profession, family and more.
In addition to Tetzlaff's sister, View Biography of Elisabeth Kufferath on Operabase. Search: Performances, Artists, Companies, Festivals, Manager, Venues, Musical Works, Videos.
Composer Moritz Eggert introduces his Elisabeth Kufferath is a violist as well as a violinist. A founding member of the Tetzlaff Quartet, she is active as a chamber musician and has appeared as a soloist with orchestras such as the WDR Symphony Orchestra in Cologne and the World Youth Symphony Orchestra.
A dedicated chamber musician, he Elisabeth Kufferath brilliert, weil sie eins ist mit ihrem Instrument. Sie füllt die sphärischen Harmonien ebenso wie die dissonanten Klänge mit Verve und verbindet die kompositorische Struktur mit ihrer virtuosen Ausdruckskraft.“ (Hannoversche Allgemeine Zeitung).